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Part of the Whitechapel Art Gallery DOWNLOAD project
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Project
Summary
The aim of this project
was to encourage AS level students to use both a drawing diary and the internet
as a way of building toward a sustained art work. The starting point was
the Whitechapel's exhibition 'LA stories' - the drawings of Raymond Pettibon
and Toba Khedoori. It was intended that the exhibition be a general stimulus
rather than a model of how to draw or what to include in the working diary.
Students made use of the exhibition in different ways.
The
Exhibition
Whitechapel
Art Gallery: LA Stories
look
at the website
Raymond Pettibon's
work is a graffiti-like mixture of scrawled words and sketches, some made
directly on the wall, some torn from sketchbooks.
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Pettibon's work
acted as an incitement to the students to record the stimuli of lived
life and their own efforts to process it. The impromptu appearance
of his work implied that anything was admissable - thoughts, remembered
or read words, sketched objects and people - the humorous, the irreverent,
the mundane, the philosophical.
RAYMOND
PETTIBON
"No title (The child is)" 1989
Pen
and ink on paper 36 x 28 cm
Private
Collection. Courtesy Regen Projects, Los Angeles Photo: Joshua White
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details
from Krishna's Diary |
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The other artist in the exhibition,Toba Khedoori, could not have
been more different. Khedoori makes large drawings on waxed paper
of enigmatic interiors, or parts of architecture.
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Where
Pettibon's drawings are rough, raucous, quirky and personal, Khedoori's
are grand, silent and remote. Students who engaged with Khedoori's
work used it to consider the dynamics of space as a setting for a
scene, or else to consider how the rendering of space can have philosophical
implications - in this case the sense of endless corridors, steps
going nowhere, rooms within rooms.
TOBA KHEDOORI
"Untitled (Rooms)" 2001 [detail]
Oil and wax on paper 366 x 366 cm
Courtesy Regen Projects, Los Angeles Photo: Douglas M. Parker Studio
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"Limitless.
Khedoori's first exhibit featured a painting of two continuous walls
surrounding a narrow central space. When I first saw this piece it
immediately reminded me of the Great Wall of China because of the
alignment of the walls and the narrowness of the space between them....
Her style of drawing and painting being so light and subtle, makes
the work seem unreal, smooth and pure." Rosaleen
TOBA
KHEDOORI "Untitled (Walls)" 2000 [detail] Oil and wax on paper 366
x 583cm Courtesy Emanuel Hoffmann Foundation Permanent loan to the
Museum für Gegenwartskunst Basel Photo: Douglas M. Parker Studio
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Some students
experimented with using a drawing of a spare, empty, Khedoori-like
space as a background to their own images.
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"I
wanted to put Mary against a neutral background. Gives you the sense
that she's everywhere." Patrick
detail
from Patrick's Diary
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The project
After the initial visit to the gallery, where students saw the exhibition
and were introduced by artist Simon Granger to the diary project, there
then followed four weekly visits to the school. The diaries were discussed,
more exercises were set, Simon talked about his work, and he guided the
students in developing theirs. In between sessions the classroom teachers
kept the momentum of the project going. Later in the term the students were
guided in using the Net to help develop their ideas. In a final session
with the artist, students talked about working up to their final pieces
and reflected on keeping the diary.
'Project
guidelines' will give an idea of the stages the project went through.
'Case studies' provides examples of three
students' work. 'Teaching points' indicates
how the project fits into A level requirements, identifies potential problems,
and lists some advantages and drawbacks of using the Internet for art.
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