........................................
home
........................................
• about Diary
........................................
gallery
........................................
project guidelines
........................................
case studies
........................................
teaching points
........................................
project team
........................................


Part of the Whitechapel Art Gallery DOWNLOAD project


Project Summary
The aim of this project was to encourage AS level students to use both a drawing diary and the internet as a way of building toward a sustained art work. The starting point was the Whitechapel's exhibition 'LA stories' - the drawings of Raymond Pettibon and Toba Khedoori. It was intended that the exhibition be a general stimulus rather than a model of how to draw or what to include in the working diary. Students made use of the exhibition in different ways.

The Exhibition
Whitechapel Art Gallery: LA Stories

look at the website
Raymond Pettibon's work is a graffiti-like mixture of scrawled words and sketches, some made directly on the wall, some torn from sketchbooks.


Pettibon's work acted as an incitement to the students to record the stimuli of lived life and their own efforts to process it. The impromptu appearance of his work implied that anything was admissable - thoughts, remembered or read words, sketched objects and people - the humorous, the irreverent, the mundane, the philosophical.

RAYMOND PETTIBON
"No title (The child is)" 1989

Pen and ink on paper 36 x 28 cm
Private Collection. Courtesy Regen Projects, Los Angeles Photo: Joshua White

 

 

details from Krishna's Diary


The other artist in the exhibition,Toba Khedoori, could not have been more different. Khedoori makes large drawings on waxed paper of enigmatic interiors, or parts of architecture.

Where Pettibon's drawings are rough, raucous, quirky and personal, Khedoori's are grand, silent and remote. Students who engaged with Khedoori's work used it to consider the dynamics of space as a setting for a scene, or else to consider how the rendering of space can have philosophical implications - in this case the sense of endless corridors, steps going nowhere, rooms within rooms.

TOBA KHEDOORI
"Untitled (Rooms)" 2001 [detail]
Oil and wax on paper 366 x 366 cm
Courtesy Regen Projects, Los Angeles
Photo: Douglas M. Parker Studio

 
"Limitless. Khedoori's first exhibit featured a painting of two continuous walls surrounding a narrow central space. When I first saw this piece it immediately reminded me of the Great Wall of China because of the alignment of the walls and the narrowness of the space between them.... Her style of drawing and painting being so light and subtle, makes the work seem unreal, smooth and pure." Rosaleen

TOBA KHEDOORI
"Untitled (Walls)" 2000 [detail]
Oil and wax on paper 366 x 583cm
Courtesy Emanuel Hoffmann Foundation Permanent loan to the Museum für Gegenwartskunst Basel
Photo: Douglas M. Parker Studio

 

Some students experimented with using a drawing of a spare, empty, Khedoori-like space as a background to their own images.

 
"I wanted to put Mary against a neutral background. Gives you the sense that she's everywhere." Patrick

detail from Patrick's Diary


The project
After the initial visit to the gallery, where students saw the exhibition and were introduced by artist Simon Granger to the diary project, there then followed four weekly visits to the school. The diaries were discussed, more exercises were set, Simon talked about his work, and he guided the students in developing theirs. In between sessions the classroom teachers kept the momentum of the project going. Later in the term the students were guided in using the Net to help develop their ideas. In a final session with the artist, students talked about working up to their final pieces and reflected on keeping the diary.

'Project guidelines' will give an idea of the stages the project went through. 'Case studies' provides examples of three students' work. 'Teaching points' indicates how the project fits into A level requirements, identifies potential problems, and lists some advantages and drawbacks of using the Internet for art.